Wednesday, May 25, 2016

Cold Girl: A B.C. Blues Crime Novel by R.M. Greenaway 2016

I had to add this new read to my Good Reads and write a brief review. It was that good!
Cold Girl: A BC Blues crime novel by R.M. Greenaway

My rating: 5 of 5 stars

Couldn't put this one down and read it over a 3 day period this May. Reminded me very much of my time up North and visits to Hazelton. A great B.C. setting with all the complexities that the entertainment business can bring. Also a look at the highway of tears and what can happen when the road is long and the transportation ops, few. "...she was on foot and her destination was the highway... or the long gravel road that led away from the fairground to west, dark and empty, the perfect pace for the man to catch up, reach out and take hold." It is man against nature, very much alive and dark. It is personalities, politics, the hunt, the hunter and the hunted, women and men, achievement and lack of it, dreams and realities (And lots, lots more) This is a first novel, awarded even before it was published. Way to go Rachel Greenaway. Look forward to the next one and the continuing adventures of Dion.

Love the cover of this book! Often, a title will appeal and then I will imagine my own first photo. But this one really draws you in and takes you down that lonesome highway. The blue tones are cold tones and the word, cold, brings to mind, cold as in dead, cold as in psychopathic, cold dread, cold shock, cold as in unemotional, overly focussed, cold as in left out of friendships or close relationships, the coldness of weapons, the cold of vast winter forests and snow. This design is by Laura Boyle and the cover image is by @Ollyy/shutterstock.com.

And here is Dion, city detective, recovering from a head injury, dreading snow and wilderness and on his first small town assignment, trying to track a killer but losing his way."He turned to head back to where he thought the distant main lights should be, thinking about wolves and now his own heart banged harder because he couldn't see his own tracks in this dim, wavering light beam."
Well, who hasn't been out there with flashlight batteries on low? Who, as an adult, gets lost? Rachel adds further suspense: "He'd heard the predatory noises, the secretive shifting, the low breathing, the salivating, the circling."

So many things conspire against Dion: Nature, small town politics, police politics, injury, guilt, faulty memory, panic, reputation (not too bright? inattentive? death of a work partner) and his own 'outside of the box' approach to finding answers. He is looking for consistent patterns, regularity, predictability and supports, like a quality watch, that will keep him on time and will always work. He is looking for an anchor, which turns out to be his own insight and persistence, even though even these fail him at times. His struggle is a compelling one; he is flawed but gets the job done. I want him to recover and develop connections but he may continue to keep searching, as do other well known and loved crime fighters. "And now he felt so tiny and alone, here in the vastness of the night."

There are other police, men and women, all realistic, large as life people that you want to see more of.
There is that constant tension created by different leadership styles, ambition, fear of failing oneself or 'the force', all going on while trying to solve at least three mysteries: the disappearance of two artists/musicians as well as the murders on the highway of tears. So many possibilities about who the guilty might be: cases are built and you think you know and then, others are presented. This is complexity and depth at its best. A visual tree of the characters might be helpful, although I think necessary only for a TV Series or movie, as a potential cast.

I read a review of COLD GIRL and it was also highly recommended by writer, Deryn Collier, so I decided to meet Rachel, when she attended a Noir Crime Writers' read and share meeting, in Vancouver. It was fabulous to be read to at The Shebeen, 210 Carrall Street, Gastown. We met in a hidden back room of this whiskey house. So just imagine, whiskey, great writers, no loud music or sports television, and the chance to talk with Rachel ...as my high school students used to say, "You mean she is alive and not dead like so many we have to read!" They would be captivated by the author and her book, I am sure.

My Questions, Her Answers:

CT Any surprises in writing this book?
RC Yes, private life is now more public. Many chances to meet other writers and readers. I have done book launches and now look forward to sharing my writing. Other people do really want to know more.

CT How did your main character come to you? Especially Dion and David Leith?
RG They are based on people you might meet and imagine more, some you might see in the movies or maybe loosely from your other work. (She is a court reporter)

CT How did you choose writing or how did writing choose you?
RG I have always written, since I was little. She writes for work, as well. She started writing Crime, at age 30 so wanted young characters. She is at a certain stage in her writing as they are in their careers. She likes small towns and writes from her own experience with them.

CT What are major influences on you to move your writing forward?
RG Rachel says: "Writing from rejection can be compelling." So you get those letters but you keep going. Seems like they are almost a form of encouragement? Good feedback keeps her going. Louise Penny is an inspiration, too.

CT What are some of your favorite crime novels?
RG Allan Emerson: Death of a Bride and Groom, Louise Penny, Ruth Rendel, Gail Bowen, Deryn Collier, Holley Rubinsky - so many writers in her circle and out there.

Rachel is an avid listener and I think, a great analyst. Don't know how she manages to work at a very exacting job as well as writing such a fine read. She is passionate about her writing and credits everyone around her with being strong supports for her achievement. I look forward to more from Rachel Greenaway!

Photo by Dianna Drahanchuk

Saturday, May 21, 2016

How to get Dressed - A Costume Designer's Secrets for Making Your Clothes Look, Fit, and Feel Amazing

Written by Dianna Drahanchuk

The last words in Alison Freer’s book are that “she doesn’t believe in any ‘rules’ for fashion and neither should you”. My thoughts exactly.

In this easy to read book, Alison starts by stressing the importance of fit to make your clothes look and feel amazing. Next she outlines ideas on how to create a signature style without paying attention to 10 fashion rules like “don’t wear white after labour day” and “don’t wear boots in summer” with solid reasons why the rules can be broken.

Image source


After 15 years of shopping every day to dress actors and other celebrities for the movies, stage, commercials and the red carpet, Alison knows how to be prepared for any clothing malfunction. She shares her toolkit and gives examples of how simple tools like a safety pin can be used to fix such problems as static cling (pin one on the bottom of the clothing item) and how to relieve scratchy seams with moleskin.

Since there are no rules, Alison claims that “dressing for success is dead”, but keeping your clothes in top condition is a must. To organize your wardrobe, she advocates hanging everything up, and includes illustrations on how to hang sweaters, so that pieces will be ready to go in a flash. Additionally, she observes that if you don’t hang it, you won’t see it and you won’t wear it.

I loved the first thing she notes in her chapter on underthings and that is to “throw your shapewear in the trash”. She suggests alternatives and goes on to discuss topics such as panty line and bra fit.

Alison prefers to machine or hand launder clothing, even most pieces labeled to dry clean only. She offers pointers on maintaining, cleaning and bringing footwear “back from the dead”. My favourite trick, that I will probably never use, is one for curing stinky leather that she learned while travelling with a rock band: spray the insides of the offending items with cheap vodka. A stain glossary with instructions on how to get rid of most stains is found at the back of the book.

Her advice for shopping vintage and thrift is to start by knowing your measurements and to go with a tape measure so you don’t have to try on so many pieces. There is a prĂ©cis of 20th century century style to help identify the decade pieces originated from or were influenced by.

She devotes a chapter to menswear with pointers on how to measure for clothing, how to wear pants, shirts, ties and formal wear. Ironically, after claiming that there are no rules, she stipulates one rule for men on how to wear blazers (spoiler alert - never do up the bottom button).

This is an easy to follow “every person’s” guide to dressing comfortably and well. Brava Alison!

Image source

A Century of Fashion in Vancouver presented by the Society for the Museum of Original Costume

Photos and post by Dianna Drahanchuk

On Sunday April 24th Ivan Sayers set out to prove that Vancouver’s poor reputation for unfashionable dress was just plain wrong. All the clothing on the mannequins and live models were worn, and some also made, in Vancouver.

Ivan started by showing the once again sold out event 1880’s dresses with the “horse’s bum”, all the rage in Europe at that time. With good humour he explained how world events often helped shape the style of women’s clothing through the decades. The progression ranged from “S” to “X”, to straight up and down, to natural, with emphasis or deemphasis on different parts of the body, from a mature image before WWI because men in power were older, to after WWI to a more youthful look when soldiers became the focus. Throughout, Ivan’s wit captivated the audience, entertaining while educating. I am pleased to share the following images and notes. Check SMOC’s website and Facebook page.


Foreground 1886-88 dress rescued from the attic of a house slated for demolition, 
back emphasized with “S” shaped silhouette; background dress after 1893 
depression requiring styles more simplified and naturally shaped using less fabric. 


Hollow tree in Stanley Park, 1890’s “X” shaped silhouette, 
emphasis on sleeves (photo from World Archives)


Oldest known dress in collection with Vancouver label “Drysdale" 
dating from the early 1907-08 belonged to a newspaper reporter (left)

Illustration from 1902 Woodward’s mail order catalogue, pouter pigeon 
breast, corset shape, Art Nouveau influence wrapper housecoat (right)


Example of wrapper dress

Rana Vahabzadeh, event organizer, focuses on detail of a dress from the 1906’s - belonged to Vancouver family Spankie


After WWI the figure disappears, economics of the time dictated simplicity - a going away suit worn in 1921 with "Perfect Ladies Tailors" label (left)
1930’s Art Deco, dress styled simply to support artwork (right)


1940’s bias cut with waist as the focus with label Madame Rungè Vancouver (left)
1946 wedding outfit was short and simple due to fabric restrictions held over from WWII (right)


From 1948-54 the full skirt with cinched waist became the emphasis (left)
Early 1950’s cheongsam, style adapted from clothing worn by young Chinese scholars (right)


1958 circle skirt with stylized landscapes of Vancouver for the provincial centenary


Detail showing Hotel Vancouver and Stanley Park


1970’s saw a revival of the 30’s and 40’s style

This dress used to be worn in the 1980’s by “My Pet Juliette”, a well known Vancouver television singer 

Monday, May 16, 2016

Marina Georgiadis: VANTI Designs. Botanicals Alive in Silk

I first met Marina at a series of Botanically Inspired Workshops at Van Dusen Gardens. Seeing her work was like having the garden transported right onto each scarf. A botanical treasure to keep close always! Love the natural dyes and range of colors. Hand rolled, sewn edges make these, totally slow fashion, made with human hands, individual works of art. We met again at Craft House on Granville Island, where her scarves and ties are beautifully displayed and available for purchase.

I am wearing a turquoise silk that has already been all over town. People can not resist touching it and wanting to try it on. It seems to shimmer and move in the sun and lights up any room. Marina gave me a grey one as well, and I will be sharing both in Boston and NYC, soon. Watch for VANTI Scarves worn a million different ways! Thank you Marina Georgiadis! You can find more about her here! Photo one is by Marina, two, three and four are by me and the last is by Dianna Drahanchuk.





Evan Ducharme: ORIGIN Collection Show April 29, 2016

Evan Ducharme is a local Canadian Designer of Metis Heritage, always at Vancouver Fashion Week and Eco Fashion Week Vancouver and city wide as well as sharing his collections at gorgeous studios. Recently, we were treated to ORIGIN and to beautiful photographs celebrating family and traditions. Known for his collaborations, he has an even bigger family of supporters: fellow designers, photographers, writers, followers, all! Love how he acknowledges and appreciates his Partners, Ed Team, Models, Sponsors, family and friends.

What caught my eye: the smiles of admiration and bonne fete, the artists, designers and photographers, the color, especially the oxblood chiffon against the light, soft scarf in white, camel, grey and black floating by, the design like none other and the craft of hats, veils and belts.

This is a story of who you are, your journey and how you can share it with the world.

Thank you, Evan Ducharme!

Thanks to all those who made it happen.

Photographers Colleen Tsoukalas and Dianna Drahanchuk








Colleen!
My favourite motto: Ever Onward!

Book Review: In the Name of Gucci by Patricia Gucci with Wendy Holden

Hot off the press this year, this is a memoir about Aldo Gucci, written by his only daughter, and heir, Patricia. This is a drama, a king's downfall, involving family disputes, betrayals from his three sons (by his first wife), and his brothers. There was a good deal of family resentment over the man's business decisions and how he chose to spend his time, with others, more than them. Everyone wanted to be in the lucrative Gucci empire circle but those who stayed loyal to the end, were his second wife, Bruna, to whom the book is dedicated, and his daughter, Patricia.

This is a three hundred page story about secrets: Bruna and Patricia lived apart from Aldo, since he was already married with three sons. It is a vivid account of business expansion, from Italy to London to New York, despite challenging economic times, war and an early family tradition of saving every cent and keeping the business small. By relentlessly moving ahead, despite all costs, Aldo Gucci's shop "...was the first shop to sell high-quality Italian products in the United States."

It was fascinating reading about Gucci's expansion of products as well as locations. One of his top creations was the famous Bamboo Bag. Everyone wanted one, especially since it was carried by Ingrid Bergman. He not only was the store for the rich, but also for the rich and famous.

Image source

He achieved early fame and fortune, by insisting on maintaining the family tradition of excellence and absolute attention to detail. As his own father said: "This is the smell of leather, the smell of your future." Charismatic, and endlessly energetic to the end of his long life, Gucci was absolutely devoted to his business empire. It was business first and families, a very distant second and third.

In addition to his business ventures, we learn more about the personal life of the man behind the eponymous brand from the letters he wrote to Bruna and from Patricia's very positive perspective. According to her, he was a loving husband and a dedicated parent, but he was also, to their lasting sadness, completely focused on his business empire, which is still a thriving business today. He seemed to create a special, if very isolated world for Patricia and her mother. He took great pride in Patricia's achievements and supported her career choices. She worked closely with her father and was on the Board until 1987, when the company was sold.

Thanks, Patricia, for a compelling read!

Thanks also to Penny Simon, Crown Publishers and Johanna Ramos-Boyer, JRB Communications, LLC, for the opportunity to review.

Friday, May 6, 2016

The Fish Shack - A Feast of Plenty!

This friendly two level restaurant, with front street level patio, hosted a fabulous and free open house  celebration of food, beverages and music, Thursday April 26th at 1026 Granville Street. The Fish Shack is one of Glowbal's many restaurants and exemplified that "Let me entertain you" vibe. Hardworking kitchen and lots of delicious variety of fish, seafood, savories and sweets. Tray after tray carried expertly up and down stairs, always appetizing and quickly disappearing. Service with a smile. The DJ kept those records playing and we danced, dined and met our neighbors. How cool is that! Thanks for a wonderful evening Fish Shack Staff! We will be back!







Sunny Ukraine Dances Down The Eco Fashion Week 2016 Runway

Tetyana Golota never ceases to amaze us with her many accomplishments! She is an award winning speaker, community organizer and entrepreneur who is now presenting her own collection of fashion from the Ukraine. These are a few highlights illustrating the art and craft that define and sustain the culture of which she is so proud. Embroidery and cross stitch, woven fabrics, symbols, florals, and brilliant colors characterized each outfit. She made all of the headpieces, too. Style, music and energy graced this fabulous collection. Cultural appreciation, expression and sharing. Much more is needed!
Thank you, Tetyana!







 
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