Yolanda Skelton 2018 IFTO
Yolanda Skelton 2018 IFTO
In 2018, I heard Cris Derksen, Juno Award nominated Cree Cellist and Composer from Northern Alberta. Cris's music is also heard in the new ballet: WINTERBOURNE. Vancouver Indigenous Fashion Week has already posted its theme: EARTH, and its dates: Nov. 18-22, 2026. Yolonda always designs a red dress for Red Dress Night, in which local and international Indigenous Designers "come together wearing red, in honour of missing and murdered Indigenous men, women, girls, two-spirit and LGBTQ members of our communities." See post I wrote for the event in 2024.
Yolonda also creates a runway collection and a marketplace booth for selling her gorgeous pieces. Before each VIFW, there is a fundraising auction and preview of the 4 days to come. Last time, Marilyn Wilson and I attended and met Yolonda. (photo) Marilyn's "Interview with Fashion Designer Yolonda Skelton (Jackson) of Sugiit Lukx Designs", can be found here.
One of Yolanda's latest stages is on the stage of The Playhouse, where she has designed costumes for a new company: Ballet Vancouver, and for a new ballet: WINTERBOURNE, in collaboration with Director/Choreographer Joshua Beamish. This had its World Premiere April 23-25, and was one of the 4 dynamic ballets performed in the AFTER THE RAIN & OTHER WORKS Program each night. I went on the 24th and was awed by skillful, athletic, fast moving, modern ballet, standout music, (Cris Derksen on Cello) terrific stage lighting, a quiet theatre (no cameras or phones) and then, this wonderful, "harmonious, thoughtful integration of indigenous design and ballet". This not only brings more ballet to Vancouver, with visiting dancers, and companies, but also brings Vancouver's local talent to the ballet and shares that with the world. There were 4 Indigenous dancers: Tristan Chad Ghost Keeper (Cree & Metis) Bryn Bridgen (K'omoks Nation) Keilani Elizabeth Rose (Lheidli T'emmeh Nation), and Jonatan Lujan. (Huarpes) I think that a new company, Ballet Vancouver, is new and exciting in so many ways. It highlights the city's rich cultural milieu, the abundance of local talent, the development of new ballets with new music, costume and yes, new ways of performing. And, what is local goes international, to the world stage.
Very new to me was watching with full attention, rather than with a camera. At the end of the ballet, I watched a standing ovation that began as one or two people and then spread like waves, row by row throughout the theatre. Bravo! Wish I had a video of that. While I wanted to write about the costumes, words are not enough and I thank Yolonda Skelton, Joshua Beamish, and Ballet Vancouver and Laura Murray (Murray Paterson Marketing) for photos and much more. The 26/27 season is coming right up Sept ll, 12 with Balanchine's Apollo, Black Swan Pas de Deux (Swan Lake) and Slice To Change. I am looking forward to going and writing more often. I sense there is room for conversation and new ideas. Have I written a ballet? No, but perhaps there should be one to celebrate Matriarchs, especially Sandra Moorhouse-Good, who leads the Good Family of Artists, Designers, and Musicians of Aylelum a multigenerational Design Family in Nanaimo. Ballet Vancouver is new and open to new ideas. There is room for all of us.
Links:
- APTN News (Tina House) YOUTUBE.COM
- Ballet Vancouver (balletvancouver.com) @balletvancouver (Instagram) X: @balletvan TIK TOK - @balletVancouver
- Yolonda's website (gorgeous photos and design details) Yolonda Skelton on Instagram
- CBC: Urban Regalia Fashion Exhibit Inspired by Audrey Hepburn and Indigenous Culture (Jean Paetkau-CBC Mews Oct 10, 2019






































