Image via Richmond Museum
1890 dressing gown with big shoulders and
puffy sleeves. Eastern and Western influences,
with a French panel down the back.
Cape with frogged closing. European and Asian
influences. Pink fabric made in Europe but embroidered
in Japan. High waist, Art Nouveau, long legged look,
bustle pad, feather fan.
Dress - 1923/24 heavy glass beading, red and gold,
Shanghai, head dress and wig supposed to look like
ancient Egypt. (Note that turbans and head dresses
were recently spotted at Vancouver Fashion Week)
Imperial yellow shawl, Chinese manufactured
but sewn in the Philippines, carved ivory jewelry.
Underneath the shawl, she is wearing a Chamsong
(much like the male Scholar's gown). 1930's, subtle curve
for waist, hand embroidered for export, Manchurian
shoes (Horseshoe shape)
Huge shoulders on this fur coat from Shanghai,
blond fox fur coat-exotic and symbolizing wealth

'Folk Dress' Hungarian - attention to authentic,

'Folk Dress' Hungarian - attention to authentic,
ethnic dress. Raw silk jacket made in Egypt,
International Marketplace. Rajistani embroidery,
lots of little mirrors.
Green, worn in Kuala Lampur, glamor for
a warm night, post war l940-50, super feminine,
bit skirt, small waist, possibilities for peace time society
Photo 8 - Late 50's coat of yellow silk
(even though it looks white) Chinese from
Hong Kong, beaded hand sewn dress from
East Germany
Japanese designer Issey Miyake, green
and complex mix of layers and folds.
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