Happy Wednesday everyone! Last Friday you saw a preview of Caroline Mangosing's VINTA collection from the opening night of Canadian Philippine Fashion Week. She graciously took the time to answer a few questions about her latest collection and I am excited to her answers and more about VINTA with you! We love your comments - show your support and let us know what you think by leaving a comment :)
AT: What traditional elements did you inject into the collection and how did you keep it modern at the same time?
CM: There are several traditional elements in the collection: one is the fabric, made of pineapple fibre (piña). Piña is indigenous to the Philippines and is only produced in the Philippines, by hand loom. It's something that is unique to the culture, so I definitely wanted to keep that. I also kept the traditional butterfly sleeve on the terno dresses. Locally called kañamaso, this sleeve is what gives our dress the distinctive look. The modern elements of the collection is in the fit and silhouettes. The Men's Classic Barong, is traditional in its design, but the fit is slimmer and much more modern. With the ternos, the silhouettes are a modern sheath and empire waist, but with the traditional sleeve.
AT: What were your inspirations for the collection?
CM: The main inspiration for the collection was to create Filipino cultural clothing that was fashionable and wearable. Often you see Filipino cultural clothing that look like "costumes", which is how Filipinos refer to them -- and I never liked that. I always wanted to be able to rock the terno at a dressy event, so that's what I went about creating.
AT: Do you use traditional techniques in your designs?
CM: Yes, definitely! Again the kañamaso or butterfly sleeve is very traditional. The sleeves itself are very labour intensive, and there is a specific sewer who specializes in making just the sleeves.
Also, the piña textile is still produced in the exact way as it has been for the past 200 years. It is woven by hand, mostly in Aklan, a town in Panay Island, south of Luzon, where the capital city is and takes one woman two weeks to weave enough fabric to make one barong.
AT: How did you become a designer and what inspires you every day to design something new?
CM: I have a background in fashion design and went to fashion school… many moons ago. Though this is really the first time I forayed into actually producing a clothing line (see the next question for more). My inspiration to design something new is pretty selfish, it's so that I can wear it. I love fashion, but I look at what's out there, and I always think "if it was this colour it would be perfect" or "if the cut was just slightly changed this way it would be perfect" -- I have a very functional approach to design. My process in design is like this: 1 - It has to be wearable and fit well, 2 - It has to be flattering to the person wearing it, 3 - It has to LOOK AMAZING!
Image via Caroline Mangosing
AT: What traditional elements did you inject into the collection and how did you keep it modern at the same time?
CM: There are several traditional elements in the collection: one is the fabric, made of pineapple fibre (piña). Piña is indigenous to the Philippines and is only produced in the Philippines, by hand loom. It's something that is unique to the culture, so I definitely wanted to keep that. I also kept the traditional butterfly sleeve on the terno dresses. Locally called kañamaso, this sleeve is what gives our dress the distinctive look. The modern elements of the collection is in the fit and silhouettes. The Men's Classic Barong, is traditional in its design, but the fit is slimmer and much more modern. With the ternos, the silhouettes are a modern sheath and empire waist, but with the traditional sleeve.
AT: What were your inspirations for the collection?
CM: The main inspiration for the collection was to create Filipino cultural clothing that was fashionable and wearable. Often you see Filipino cultural clothing that look like "costumes", which is how Filipinos refer to them -- and I never liked that. I always wanted to be able to rock the terno at a dressy event, so that's what I went about creating.
AT: Do you use traditional techniques in your designs?
CM: Yes, definitely! Again the kañamaso or butterfly sleeve is very traditional. The sleeves itself are very labour intensive, and there is a specific sewer who specializes in making just the sleeves.
Also, the piña textile is still produced in the exact way as it has been for the past 200 years. It is woven by hand, mostly in Aklan, a town in Panay Island, south of Luzon, where the capital city is and takes one woman two weeks to weave enough fabric to make one barong.
AT: How did you become a designer and what inspires you every day to design something new?
CM: I have a background in fashion design and went to fashion school… many moons ago. Though this is really the first time I forayed into actually producing a clothing line (see the next question for more). My inspiration to design something new is pretty selfish, it's so that I can wear it. I love fashion, but I look at what's out there, and I always think "if it was this colour it would be perfect" or "if the cut was just slightly changed this way it would be perfect" -- I have a very functional approach to design. My process in design is like this: 1 - It has to be wearable and fit well, 2 - It has to be flattering to the person wearing it, 3 - It has to LOOK AMAZING!
AT: You created Vinta
to be a social enterprise initiative of Kapisanan Philippine Centre for Arts
and Culture - Can you explain how it works? How is the community involved/how
can they get involved?
CM: VINTA is an enterprise that functions as part of KAPISANAN.
All profits/earned revenue for VINTA is
funnelled to sustain KAPISANAN's operating costs and supplement
funding for our youth programs. I came up with the idea because we often get
Filipino-Canadians calling KAPISANAN for cultural clothing -- makes sense
as we are a cultural centre. And once I did the research, I realized there is
no shop in Toronto that sells Filipino cultural clothing. So this is what
brought me into revisiting my old love of fashion. The community can get
involved by buying some amazing clothing and supporting a bigger cause!
AT: You provide
youth/apprenticeship training - how can students find you?
CM: What's
most exciting about VINTA is being able to create training programs for young
people who are interested in gaining experience and training in the industry
and entrepreneurship is not just being able to design and sell Filipino
cultural clothing, it is also being able to create a training program for young
people who are interested in gaining experience in the industry, as well as
gain experience and training in entrepreneurship. Anyone interested can email
us at info@kapisanancentre.com or go to the Kapisanan website kapisanancentre.com &
like us on Facebook.com/Kapisanan & Facebook.com/VintaTO
AT: Where can we buy
your designs?
CM: VINTA
will be market ready in time for Kapisanan's 8th Annual KULTURA Filipino Arts Festival this August
7-11. It will be available at our Kensington Market headquarters 167 Augusta Avenue.
AT: What traditional elements did you inject into the collection and how did you keep it modern at the same time?
CM: There are several traditional elements in the collection: one is the
fabric, made of pineapple fibre (piña). Piña is
indigenous to the Philippines and is only produced in the Philippines, by hand
loom. It's something that is unique to the culture, so I definitely wanted to
keep that. I also kept the traditional butterfly sleeve on the terno dresses.
Locally called kañamaso, this sleeve is what gives our dress
the distinctive look. The modern elements of the collection is in the fit and
silhouettes. The Men's Classic Barong, is traditional in its design, but the
fit is slimmer and much more modern. With the ternos, the silhouettes are a
modern sheath and empire waist, but with the traditional sleeve.
AT: What were your inspirations for the collection?
CM: The main inspiration for the collection was to create Filipino
cultural clothing that was fashionable and wearable. Often you see Filipino
cultural clothing that look like "costumes", which is how Filipinos
refer to them -- and I never liked that. I always wanted to be able to rock the terno at
a dressy event, so that's what I went about creating.
AT: Do you use traditional techniques in your designs?
CM: Yes, definitely! Again the kañamaso or butterfly
sleeve is very traditional. The sleeves itself are very labour intensive, and
there is a specific sewer who specializes in making just the sleeves.
Also, the piña textile
is still produced in the exact way as it has been for the past 200 years. It is
woven by hand, mostly in Aklan, a town in Panay Island, south of Luzon, where
the capital city is and takes one woman two weeks to weave enough fabric to
make one barong.
AT: How did you become a
designer and what inspires you every day to design something new?
CM: I
have a background in fashion design and went to fashion school… many moons ago.
Though this is really the first time I forayed into actually producing a
clothing line (see the next question for more). My inspiration to design
something new is pretty selfish, it's so that I can wear it. I love fashion,
but I look at what's out there, and I always think "if it was this colour it
would be perfect" or "if the cut was just slightly changed this way
it would be perfect" -- I have a very functional approach to design.
My process in design is like this: 1 - It has to be wearable and fit well, 2 -
It has to be flattering to the person wearing it, 3 - It has to LOOK AMAZING!
AT: You created Vinta
to be a social enterprise initiative of Kapisanan Philippine Centre for Arts
and Culture - Can you explain how it works? How is the community involved/how
can they get involved?
CM: VINTA is an enterprise that functions as part of KAPISANAN.
All profits/earned revenue for VINTA is
funnelled to sustain KAPISANAN's operating costs and supplement
funding for our youth programs. I came up with the idea because we often get
Filipino-Canadians calling KAPISANAN for cultural clothing -- makes sense
as we are a cultural centre. And once I did the research, I realized there is
no shop in Toronto that sells Filipino cultural clothing. So this is what
brought me into revisiting my old love of fashion. The community can get
involved by buying some amazing clothing and supporting a bigger cause!
AT: You provide
youth/apprenticeship training - how can students find you?
CM: What's
most exciting about VINTA is being able to create training programs for young
people who are interested in gaining experience and training in the industry
and entrepreneurship is not just being able to design and sell Filipino
cultural clothing, it is also being able to create a training program for young
people who are interested in gaining experience in the industry, as well as
gain experience and training in entrepreneurship. Anyone interested can email
us at info@kapisanancentre.com or go to the Kapisanan website kapisanancentre.com and like us on Facebook.com/Kapisanan and Facebook.com/VintaTO
AT: Where can we buy
your designs?
CM: VINTA
will be market ready in time for Kapisanan's 8th Annual KULTURA Filipino Arts Festival this August
7-11. It will be available at our Kensington Market headquarters 167 Augusta Avenue.
